I get asked a lot what its like to be a professional
photographer. I always give the standard “Its
great. You meet a lot of great people, get to create and every day is
different.” While this statement is true I am leaving a lot out. I really
want to explain to people that I am an Advertising Photographer. Not just a
“professional photographer”.
What I do falls within a specific discipline of photography. Its kind of like an unofficial union or more like a gang allegiance - Im an Advertising Photographer.
So I decided to write a blog post to be about the more common disciplines of
photography there are out there.
If you are reading this and looking to become a
“professional photographer” this post might help you narrow down your focus to help
ensure success…. And if you are just reading this out of curiosity’s sake post this will help you understand what kind of photographer took the pictures you
are looking at.
In explaining the various disciplines of professional
photography I am going to draw comparisons to the various disciplines within
the film industry
Advertising
Photographers are basically the same thing as big budget Hollywood Movie Directors.
We are like the Michael Bay’s of the photography industry. We have full time
assistants, big crews and bigger budgets. We often fly to our shoots and the
work is seen in large media buys.
Although our final work looks awesome in truth it has little artistic
value. We have a respect amongst much of the general public and many
photographers, but true artists hate us, because we have “Sold out”. Our major challenge is that we have to deal with the endless wave of Creative Directors all of whom have watched too many episodes of MadMen.... settle down there Don.
Editorial
Photographers (magazine) are pretty much like the Documentary Filmmakers. They
operate in the low budget world. But its offset by shooting interesting
subjects and stores. This means one day a shoot can be in an un-photogenic
office cubicle and the next day they are shooting an astronaut at NASA. These
guys are the hustlers of the photography profession. The need to make it work no matter what kind of shit is thrown their way. They work in short timelines
and still have to produce fantastic looking images that have a narrative. On top of that magazines
have different styles, so they need to adjust how they shoot for each
assignment to match the style of the magazine.
Photojournalists (newspaper)
are like News Directors. Run and Gun. No real thought of what they are shooting
or putting on TV. It’s all about the current event. That moment. Speed is key.
One hour they are shooting a car accident the next hour a speech from some
burnt out city councilor. These guys thrive on change and adrenalin. They
really don’t care about the images perse, but more about telling a story
through the image. Don’t get me wrong these guys are fantastic. They are
desensitized to what they are shooting. It’s a skill. The News Director doesn’t
care about the car accident he is putting on the front page nor does the
shooter. All they are concerned about is getting an image that tells the story.
Wedding Photographers
are basically the same thing as a Porn Film Directors. I’m talking about the
full time Wedding Photographers. Not someone who shoots a few weddings a year. Like
the Porn Director the Wedding Photographer doesn’t give a shit about their
client. I have been to enough bridal shows and been in that position to verify
this is the case. In no way does that mean the Wedding Photographer wont take
fantastic photos. It’s just that to him Brides are faceless ATM machines
that pay the bills in the same way a Pornstar is a faceless ATM machine to the Porn
Director. The wedding industry makes promises of big
cash for little investment which inevitably brings out scammers, unsavoury
characters, lazy people who really don’t want to put in the work to truly
succeed - sounds just like the Porn industry.
Fine Art
Photographers are basically carbon copies of Indy Filmmakers. These guys
are the real artists of our craft. They do it because they have a burning
desire to create. Much like how the Indy Film maker still shoots movies on 35mm
the Fine Art Photographers often still shoot on film because because when they
shoot film they are truly creating a image in the form of a tangible object on the
negative. These guys often need other jobs to support themselves because there
is very little money in Fine Art Photography. However they have the full
respect of all professional photographers in the same way that in Indy Film
maker has the full respect of their peers.
Summary
These are what I believe to be the main types of real world
working photographers. But before anyone chews my ass out for not talking about
Portrait Photographers, Ariel Photographers and say Travel Photographers…. I
view these all as sub-disciplines within the professions I have outlined above. For
example most travel photography assignments are shot either by an Editorial
Photographer or a Commercial Photographer.
I hope this sheds some light on the different disciplines of Professional Photography. You might agree with my break down, you might not.. really I dont give a shit, its the way I see it....
But I do thank you for taking your time to read my blog.
But I do thank you for taking your time to read my blog.
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